Imagine a band that’s quietly redefining what indie shoegaze and slowcore can sound like in 2025 — and then imagine they just dropped a record that’s turning heads and sparking conversations. That’s exactly what Nyxy Nyx has done with their latest self-titled album, and trust me, this release is one you won’t want to miss.
But here’s where it gets controversial: this isn’t just another collection of songs — it’s a bold statement about the times we live in, or perhaps, a reflection so timeless it escapes any specific era. The Philadelphia-based band, known for their dreamy yet intense soundscapes, has delivered six tracks that serve as a follow-up to their previous works, specifically 'Cult Classics Vol. 1,' and act as a bridge toward what might come in 'Cult Classics Vol. 2.' They call these the 'plastic palace // spider house demos,' hinting at a raw, honest approach to recording.
What’s most striking about this new record is its clarity and brightness — a departure from Nyxy Nyx’s earlier, more hazy works. These songs are more accessible, yet still carry that signature mix of dissatisfaction, alienation, transformation, and ultimately, redemption. Each track is crafted to evoke emotion, whether through fierce energy or slow-building intensity, but all manage to hit you with a visual, almost tactile beauty.
If you’re a fan of bands like Knifeplay or Cloakroom, whose epic, dreamy compositions blend the ethereal with the heavy, chances are you’ll find yourself captivated by this record. It’s a sonic journey that balances agility and weight, making it a compelling listen whether you're into sprawling soundscapes or emotionally charged slow-burners.
For digital listeners, the album is conveniently split into two parts, each representing a vinyl side — a nod to the band’s appreciation for physical formats. Notably, the track 'It's Okay To Cry' features a guest appearance by Madeline Johnston from Midwife, and despite the title, it’s not a cover of a SOPHIE song but a fresh, powerful piece on its own.
Here’s the full tracklist:
Side A:
- "I can't dig the way things are"
- "shoot me to the moon"
- "thick skin"
Side B:
- "it's okay to cry"
- "unseen eye"
- "and then we jumped"
The album is out now via Sub-Under, and vinyl lovers can grab a copy directly through their Bandcamp page. This record isn’t just a collection of songs — it’s a statement, a mood, a reflection of the complexities of modern existence wrapped in lush, intricate sound.
And here’s a question for you: Do you think music like this, which blurs the lines between genres and eras, is the future of indie or just a beautiful anomaly? Drop your thoughts below — I’d love to know where your head’s at.
